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Ștefan Dimitrescu
・ Ștefan Dobay
・ Ștefan Foriș
・ Ștefan Gh. Nicolau
・ Ștefan Gheorghiu
・ Ștefan Gheorghiu (trade unionist)
・ Ștefan Gheorghiu (violinist)
・ Ștefan Gheorghiu Academy
・ Ștefan Golescu
・ Ștefan Gonata
・ Ștefan Gorda
・ Ștefan Grigorie
・ Ștefan Gușă
・ Ștefan Haukler
・ Ștefan Hrușcă


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Ștefan Dimitrescu : ウィキペディア英語版
Ștefan Dimitrescu

Ștefan Dimitrescu (January 18, 1886 – May 22, 1933) was a Romanian Post-impressionist painter and draftsman.
==Biography==
Born in Huși into a modest family, he completed his primary and secondary studies in his hometown. In 1902, deciding to follow his passion for music, he left for Iași, where he took cello classes at the Iași Conservatory.
In summer of 1903, Dimitrescu entered the National School of Fine Arts in the city, studying in the same class as Nicolae Tonitza; the two studied under Gheorghe Popovici and Emanoil Bardasare. After graduation, Dimitrescu painted murals for the Orthodox churches in Agăș and Asău (Bacău County).
Between 1912 and 1913, he studied in Paris, at the Académie de la Grande Chaumière, during which time he was attracted to Impressionism.〔Drăguţ ''et al.'', p.201〕
Drafted into the Romanian Army at the start of the Romanian Campaign of World War I, Dimitrescu was profoundly touched by the experience, and began painting tragic pieces that documented the misery brought by the conflict.〔Drăguţ ''et al.'', p.201-202〕 Like his friend Tonitza, he began exploring social themes, such as queuing and the effects of bombardments.〔Drăguţ ''et al.'', p.202〕
In 1917, along with the painters Camil Ressu, Iosif Iser, Marius Bunescu and the sculptors Dimitrie Paciurea, Cornel Medrea, Ion Jalea and Oscar Han, he founded the ''Art of Romania'' association in their Iași refuge. In 1926, Dimitrescu, with Oscar Han, Francisc Șirato, and Nicolae Tonitza, established ''Grupul celor patru'' ("The Group of Four").〔Şorban, p.75〕
He became a teacher at the Iași National School of Fine Arts in 1927, and, during the next year, he was named its headmaster (a position he held until his death). Towards the end of his life, Dimitrescu began expanding his palette to cover more somber colors, while exploring compositions in which the background was stripped of details and usually of a dominant white.〔Drăguţ ''et al.'', p.203-204〕
He died in Iași and he was buried at the Eternitatea Cemetery.

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